Spinoffs are a delicate thing, as it turns out. Some, like The Originals, are giant balls of crap
hopelessly tethered to the apron strings of their parent show, and others, like
Once Upon a Time in Wonderland are so
unfettered by the larger mythology into which they were born that they’re
actually a lot easier to watch than the shows from whence they came.
By which I mean, I like Once
Upon a Time in Wonderland. Probably more than I actually like Once Upon a Time. Which is a little
awkward.
We’ll get to my specific feelings about OUAT later this week (hopefully), but right now I want to focus on OUATIW, which is a hell of an acronym
but much worse to actually type out all the way. They should work on that.
OUATIW is a
spinoff of OUAT, but it doesn’t feel
like one. I mean, yes, there are the aspects where it is absolutely and
obviously a spinoff, like the characters who show up, or the occasional
references to Storybrooke, but by and large the show stands on its own. And man
does that help it. For all that I do still quite enjoy OUAT, that show is burdened by the kind of backstory that would
make Shakespeare blush. Everyone is related to everyone else and have all kinds
of fairy tale ridiculousness going on and you pretty much need a flowchart to
keep track. By contrast, OUATIW is
quite simple. There are only a couple of characters and relationships to keep
track of (so far), and the plot is pretty straightforward.
Speaking of which, what is the plot?
Well, I’ll tell you. Because that’s kind of my thing. As you
might have guessed, OUATIW is about
Wonderland, one of the magical realms that vaguely intersects with the stories
in OUAT. Alice (Sophie Lowe) is a
lovely young girl from Victorian England who skips home from her adventures in
Wonderland one day to find that she’s been missing for months and her family
thinks she’s been kidnapped and traumatized. A couple of adventures through the
looking glass later, and Alice has stopped trying to convince anyone that she’s
sane. In fact, she’s starting to seriously doubt she is.
Not helping any of this is that Alice is suffering from a
broken heart. On one of her many journeys to Wonderland, she met Cyrus (Peter
Gadiot), a genie who lives in a bottle. He fell in love with her pretty much
instantly, and though we don’t get to see much of the relationship, we do know
that Alice reciprocates. All is happy and sweet until the two of them are found
by the Red Queen (Emma Rigby). The Red Queen kills Cyrus, throwing him off a
ledge and into the boiling sea, and Alice is inconsolable. She winds up in an
insane asylum back in her world, seriously considering that lobotomy they keep
offering.
Well, in steps the Knave of Hearts (Michael Socha), who
frees Alice from her self-imposed exile and tells her that there are rumors
Cyrus isn’t dead. The Knave and the White Rabbit (voiced by John Lithgow) take
her back to Wonderland, where everything is a bit darker than she remembers,
and they’re off on a search for Cyrus.
Obviously, they don’t find him, but they do find clues, and
as the audience we get to see the larger plot at stake. Because Cyrus was never
really dead. He was just kidnapped by an evil Jafar (Naveen Andrews), who is
scheming with the Red Queen to keep Cyrus hostage and get his wishes. They need
Alice, because of reasons, the Rabbit is a traitor, and the Knave is dubious at
best. It’s all very engrossing.
Okay. Now, I want you to look back at that summary, which
was convoluted and complicated and lots of other things besides, and remember
that this is what I called “easy to understand” compared to the overarching OUAT plotline. Yes. Scary.
Now, the basics are pretty simple: I like Alice, I like the
Knave, and I enjoy the Red Queen as a villain. I don’t need a whole lot more
than that to make a show worth watching, and I have a good feeling about this
one. It’s not exactly that the pilot episode was a hallmark of beautiful
filmmaking, it’s more that it didn’t suck and it showed promise, so there’s
that.
I appreciate the continued desire to keep the focus of the OUAT world on the stories of women. It’s
not the most obvious thing, but it’s totally there. It makes sense, too. Fairy
tales have always been the province of women and girls, so it only makes sense
that the shows based around all these stories would be based around the lives
and interests of women. I like that. It’s nice.
Fortunately for us all, as well, Alice makes a good heroine.
With a story as simple as hers (trying to rescue her lost lover), it would be
easy to fall into cliché and romantic shorthand, but that’s very much not the
case here. Cyrus clearly loves Alice for her adventurous spirit, and Alice is
completely at home with the idea of rescuing her love. She’s no flinching
damsel, not because damsels are inherently bad, but because that’s just not her
style. And neither is she a super action chick. Mostly, she’s an interesting
girl with some solid street sense and a good backhand. You can’t ask for much
more than that.
As for the Red Queen, we really don’t know enough about her to
know what her deal is yet. So far, she seems a bit the stereotypical villain,
all simplistic and frivolous, but who knows. She might develop some depth yet.
It is only the first episode. Of all of it, though, she was probably the low
point for me. And since I still liked her, that’s probably a good thing
overall.
I wish I could get more deep and analytical here, but I can’t
quite yet. There isn’t much to this show so far. I mean, there’s a story, and
it’s a nice story, but that’s pretty much it. I hold out a strong faith that
the show will manage to become more complicated and interesting as it goes on.
Of that I have no doubt. What I want, though, is for it to gain complexity but
keep the storytelling simple. I like what they’ve got going on, and I’d hate
for them to lose it.
So. Once Upon a Time
in Wonderland. If you liked the original
Once Upon a Time, then you should definitely watch it. If you didn’t like
the original, then it’s up to you. On the one hand, cute story, fantasy
elements, lots of female characters and female stories. On the other, terrible
greenscreen, potentially bad plotting, and a cast of unknowns (and John
Lithgow). Up to you. But I’m tuning in for the whole season.
If there are multiple genies, I wonder if there's going to be more Arabian Nights involved later on. I'd really love to see what they make of Shahrazad or Morgiana*.
ReplyDelete* The girl who saves Ali Baba's ass four times over, and kills 38 of the 40 thieves.
Oooh, valid point. I mean, even if there is only one genie, there's still a possibility of dragging in all that Arabian Nights goodness. I mean, Cyrus is being held in Agrabah, after all...
DeleteAfter 3 episodes, I'm still not sure what I think of this show. I can't find anything to complain about it (though the Red Queen's lips are very distracting) but I can't find much that really grabs me. (Actually, except for one thing that I'll not mention in case you haven't yet seen the 2nd episode!)
ReplyDeleteI have seen the second episode, but I'm not sure what you're referring to...
DeleteLol yes at the Red Queen's lips, but honestly, I am enjoying the crap out of this show. It's a lot simpler than OUAT, and that's to its benefit. Plus, I genuinely like Alice, and Knave. I think they're lovely and I want them to be happy. Which is as good a reason to watch as any, I think.
It's not spoilery or anything. I just loved the kiss between Cyrus and Alice!
DeleteI'm not too into Knave. Not sure why.
I think that's what I dislike about this show is that it is simpler than OUAT. I liked the complicated relationships between everyone there and the double lives between the curse-selves and Enchanted Forest-selves. I liked how the stories were told through flashbacks and all the parallels.
That's actually super funny! We have very different taste. I love knave, am thrilled by the simplicity of the show and really like the relative lack of flashbacks. :P
Delete