I was looking back through the past two months of SFC Friday
posts, and I realized something that makes me really sad: Shirley is the first
character of color to appear in these posts. That is total poop. She is
awesome, and should have come up sooner. I apologize for that.
So, that having been said, do I really have to explain why
Shirley Bennett (Yvette Nicole Brown) deserves her spot on Strong Female
Character Fridays?
Shirley, who appears as one of the lead ensemble characters
on Community, is a perfect example of
why making a character good and decent and caring by no means makes them weak
and uncomplicated and boring. Not even a little bit, no sir. But I’m getting
ahead of myself here.
Community
ostensibly follows the exploits of a study group at a community college. The
study group is comprised of a whole host of social misfits, and Shirley is just
one of the many generic stereotypes to appear. Only, after just a few minutes
of the show you realize she’s really not a stereotype at all, and this is kind
of awesome.
![](https://4.bp.blogspot.com/-DoPBvnAfui8/UjKqSpPFgEI/AAAAAAAALLs/F0rJuM7L0Co/s320/Paintball_Troy_and_Shirley.jpg)
Underneath, we find out that Shirley is a hell of a lot more
complicated than that, and it’s all a good thing. Yes, she’s deeply religious.
But that doesn’t mean she’s not occasionally incredibly judgmental, or
prideful, or capable of falling into extra-marital sex with her ex-husband, or
emotional blackmail… The list goes on, and it all just goes to show that
Shirley is a character with flaws. Which is good. Flaws are a good thing in a
character.
What I really love, though, is that Shirley’s flaws are
really just a reflection of her good qualities. That’s kind of weird to say,
but trust me, it makes sense. And it’s really good writing to boot.
Shirley is a caring, mothering figure. That’s awesome,
right? Well, not if the people you’re trying to mother don’t always want to be
mothered. Sometimes people just want to be left alone. Sometimes you’re
smothering them. And sometimes you’re using your desire to push baked goods on
them as an emotional crutch because you think that the only reason they’ll keep
you around is if you feed them. And they know it.
![](https://2.bp.blogspot.com/-n1jQJ_8cPJY/UjKqTHFYeAI/AAAAAAAALMQ/UXKqHsBTZ4U/s320/community2.18-changscareshirley-03-17-11.jpg)
Or how about this one? Shirley is a strong woman. She’s had
to be. She held up after her husband left her, and even goes so far as to start
her own business in the later seasons of the show. She’s strong enough to take
her husband back, strong enough to keep loving, and strong enough to build a
new, bigger family that includes everyone. She’s pretty cool.
But sometimes she’s too strong. Well, not exactly too
strong, but more focused on being strong too much. Shirley has a tendency to go
overboard. To fall off the strong-but-serene wagon and straight into
strong-and-also-kind-of-menacing. She’s a reformed bully, a terror to deans and
teachers alike, and completely okay with manipulating and outright yelling her
way through.
Good qualities, bad qualities, they’re all cut from the same
cloth. And that’s seriously awesome.
Why is that awesome? Because it’s true. Rarely is there a
big discrepancy between our flaws and virtues. We aren’t just random character
sheets of facts, we’re people, made of experiences that shape us, good days and
bad days, all sorts of things. I know that my intelligence and willingness to
help others is one of my better qualities. I also know that one of my biggest
flaws is my tendency to think I know better than everyone else. See?
It’s also how Shirley ended up as one of the most
interesting characters of color on TV. She’s not a saint. It would be so easy
to make her a saint, and I love Community
for refusing to do it. A religious, divorced mother of three played by a black
woman? So easy to make her the moral sounding board of the show, to make her a
beautiful, courageous woman whose every word is wisdom and light and to whom
all the other characters go for advice. They could have done that. Instead,
they made her real.
Real people never know the answer. We just sort of muddle
through. We’re not overwhelmingly righteous, or overwhelmingly evil most of the
time. We’re just us. Kind of a mess, kind of not. Shirley is all those things I
listed above, but without being preachy about it. She’s wrong sometimes. She’s
the butt of the joke sometimes. She’s making the joke sometimes.
Sometimes the other characters are racist towards her,
sometimes she’s racist towards the other characters. It’s honest. No one’s
perfect. But everyone tries.
Maybe that’s why I like her so much. Say what you will about
her, Shirley tries.
There’s more to be said here, of course. About how Shirley
is a great example of how to write a traditionally feminine character who is
nonetheless incredibly strong as a person. About how she’s beautifully flawed
and therefore a better role model because of it. About how she’s a great cook.
About lots of things.
But I think I’m going to leave you with this idea: When
asked how he writes female characters so well, George RR Martin replied, “Well,
I’ve always considered women to be people.”
And that’s kind of all this is. Shirley Bennett is a person,
and as such she has faults and virtues. That’s good. That’s fine. That’s what
makes her strong.
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Female friendship ftw! |
*has lots of thoughts about flaws and virtues and goes back to reassess characters in novel*
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