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I’m going to get this over with right away and tell you: Elementary is nothing like Sherlock. Yes, they are both based on
the Sherlock Holmes stories by Sir
Arthur Conan Doyle (who actually kind of hated those stories). And, yes, they
are both set in the present day. But, really, that’s it.
Okay, Sherlockians. You can go now.
To the rest of you, I have this to say. Elementary is a cute fun little show. It’s not particularly epic,
it’s very procedural, and it’s a good fit for CBS. A nice fun show with a crazy
genius solving mysteries while his eye-rolling carer chases after him and puts
in her two cents. It’s not all that different from most of the procedurals out
there, but it does a good job and it’s reasonably enjoyable.
What’s really most unique about the story is the fundamental
setup. In this version, Watson is the main character.
This may not seem earth-shattering at first glance, but when
you think about it, it really is. Most Sherlock adaptations put a lens on
Watson, since he’s generally the relatable one of the pair. But few of them
actually make Watson the protagonist, where it’s his (or her) emotional journey
and transformation. This one does.
Which, frankly, is the best thing it can do.
In this version of the age-old story, Joan Watson is a
former surgeon, now medical companion, whose job is to follow around junkies
and alcoholics, making sure they don’t backslide. She follows them to work and
out at night, takes random drug tests, and lives in their houses. It’s her job,
and she hates it.
Sherlock Holmes is her latest case. An addict who’s just
escaped from rehab, he’s positive he won’t backslide again, and thinks she
should really just buzz off. He’s impulsive, emotional, prone to tantrums that
would rival any toddler, and incredibly nosy. Joan can’t stand him.
She does, though, really like the work he does. Since
Sherlock is a consultant with NYPD, contingent on his staying sober, Joan gets
to accompany him to crime scenes and as he interrogates (bullies) witnesses.
She gets to contribute to the cases, use her human touch to get them further
than Sherlock could, and helps solve murders. She likes it.
It is, honestly, hard to write about Elementary without automatically defaulting to comparing it to Sherlock. Really, though, the two shows
are quite different. For one thing, the interpretations of the characters in
this show are new. Joan is a tightly wound New Yorker, who isn’t all that
interested in accessing her softer side. Sherlock is a bundle of emotions and
contradictions, and his pleasure at besting Joan is undercut when he apologizes
for hurting her. The show itself is much smaller and less bombastic than its
British cousin, and really feels quite like a normal buddy cop drama.
But, like I said, this show really gives Joan the forefront,
and I think that’s for the best.
Look, Sherlock Holmes is a genius. He’s a genius in every
incarnation of the show. He’s always clever, always outwitting everyone. He
might go through varying degrees of physicality or sexual attractiveness, but
at this point we know Sherlock very well. He’s Robert Downey Jr., Benedict
Cumberbatch, Jeremy Brett, Christopher Lee, Basil Rathbone and Hugh Laurie. And
also this bloody great list of names here.
We know Holmes. Really, really well.
To be honest, though, we don’t know Watson nearly as well.
In some of the original stories, Watson is a quick-witted accomplice, following
right behind Holmes and helping solve the case. In others, he’s a dim-witted
patsy, just there so that Holmes can be clever in front of an audience. And in
still others, he’s a gallivanting ladies man who can’t keep his love on just
one continent. And sometimes he’s all three.
With all these interpretations, then, it’s a bit sad that
there hasn’t really been a series that focused on Watson’s feelings. If
Sherlock is the brains of the operation, then John is certainly the heart, and
it’s nice to finally see that heart beat.
There’s also a lot more wiggle room with the Watson character.
For Holmes, there are rules that must be followed. Must always be clever. Must
always be quick. Should have a strong right hook. Likes drugs. Easily bored.
Etc.
Watson, on the other hand, is more of a mystery. Must be a
doctor. Must follow Holmes. Doesn’t necessarily have to think Holmes is
brilliant. Doesn’t really need to get married, or not get married, or be in the
army, or like sweaters more than suit jackets. Watson is whomever the writer
chooses to make him.
And, as I said before, Joan is a pretty cool character because
of that. For starters, I like the fact that they’ve managed to change her
gender without changing the character or the fundamental relationship with
Holmes. As you can see here, I was quite worried about that. Genderswapping
leaves the door open for a lot of sketchiness in power dynamics, so it was nice
to see that the writers anticipated that and fought against it. Joan is
Sherlock’s carer, and is automatically in a position of authority over him.
When they go to crime scenes, she defers to him. But it’s not subservient and
it’s unrelated to their genders. They have a remarkably stable relationship.
For all of the departures, though, it’s nice to see the
places where Watson has stayed fundamentally the same. It’s this combined with
the new touches that make Joan Watson an intriguing character. She still cares
deeply about people, even if she doesn’t want to show it. Still a fan of blokey
things like baseball and running, but also loves the opera and high culture. Not
a morning person.
All of this pales in comparison, though, with the monumental
joy I get when I realize that not only did CBS make a Sherlock Holmes show that
is quite good and original and has a woman in it, they also made that woman the
main character. It satisfies my desire to see strong female characters leading
shows and creating new media conversations and ideals, and it makes me happy
because Lucy Liu is fabulous and well suited.
But most of all, I appreciate the decision to give Watson
the spotlight for once. Like I said, we know Sherlock Holmes. Getting to know Joan
Watson will be a new and thrilling adventure.
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AND SHE'S ASIAN
ReplyDeleteASIAN, PEOPLE!
(I've been keeping a tally of Asian or half-Asian actresses playing cool characters in cool shows/movies. I'm up to two.)
Is the other one Naoko Mori or Keiko Agena?
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