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My face, after this movie. |
So, I went to see Dark Shadows
yesterday with my mum. I didn't have high expectations of it, neither
of us did, we were just bored, and it was gross out, and we were in
the area, so we thought we'd pop in and see a matinee. It was the
only thing on even remotely interesting that we haven't already seen
an obscene number of times (Avengers,
Hunger Games, Pirates!
for crying out loud). So we saw
it.
It
sucked.
And, I
mean, I was kind of expecting that. I've never been a huge Tim Burton
junkie, since I think he's been in a Johnny Depp-shaped rut for a
very long time, but I try to go into his movies with an open mind.
Dark Shadows had some
real potential. It's a funny story, with some interesting elements,
that could have been played straight, or silly.
Instead,
it was played neither.
There
are lots of silly moments, like Johnny Depp waking up from his
vampire nap and thinking that the McDonald's sign is a sign of the
devil, or Johnny Depp sleeping in silly places, or Chloe Grace Moretz
being hilariously teenaged. And there were dramatic moments, with
witches and curses, and lots of intensely earnest emotion and people
falling off of cliffs.
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Also my face. |
The
problem was that it didn't pick one and stick with it, so all you
ended up with was a puddle of drippy sentiment and a story that so
refused to use cliches that you couldn't actually relate to or care
about a single character. And believe me, I tried.
But
this was not my main problem with the movie. I've seen bad movies
before. It's kind of my thing.
Nope,
what I hated about the film was that, despite the surprising
abundance of female characters, it was one of the least feminist
things I have ever seen in my entire life.
Like,
seriously.
One of
the worst.
My
mother agrees.
WARNING!
THIS CONTAINS SPOILERS FOR THE FILM!
To
start with, we have the villain, Angelique Bouchard (played the best
she could under the circumstances by Eva Green). Angie is a servant
in Barnabus Collins' household, with whom he has an affair. She falls
in love with him, and when he doesn't love her back, and pretty much
admits to just using her for sex, she gets understandably pissed at
him. Then she goes crazy and kills his parents and makes his
girlfriend jump off a cliff. Which is a little extreme. Finally, when
Barnabus jumps after his girlfriend, she curses him to be a vampire
so he can't even die, then stirs up the town into a mob that binds
him into a coffin in the earth for eternity. Harsh.
The
thing here, because all of this, overwrought as it is, is still
pretty regular movie crazy stuff, is because Barnabus doesn't love
her. And because her entire motivation as a villain is, "if I
can't have you, no one can."
Think
about that.
Now,
in the present day, Angie has devoted the last two-hundred years to
smashing the Collins family into the dust. She stole their business,
their good name, killed off strategic family members, turned some of
them into werewolves, whatever. She's pissed. But when Barnabus wakes
up, all she wants is for him to love her. So she keeps on destroying
what he loves in the hopes that he'll love her. She's just a succubus
trying to drink Barnabus dry. In the very end, she presents Barnabus
with her still-beating heart to show that she just wants him, and he
watches, dispassionate, as it crumbles into dust.
That's the villain. The driving
force of this movie. A spurned
woman who will do anything to be loved, Barnabus tells Angie time and
again that not only does he not love her, he doesn't think anyone
can, and he doesn't think she can love anyone. Not really. Women are
evil, after all, and if Barnabus keeps succumbing to her temptation
and sleeping with her, it's just because she's evil, not because he
has issues.
Projecting
much, Mr. Burton?
Now we
have the rest of the women in the movie. There's the current Collins'
matriarch, played by Michelle Pfieffer, who looks like a feminist
figure, until you realize that her character is one, conniving and
willing to do whatever it takes to get them out of debt, and two,
incapable of keeping the family together like Barnabus
is. When it was just her, they were falling apart, but now that
there's a strong man about the house, things shape up.
Carolyn
(Chloe Grace Moretz) is a moody teenager who's actually a werewolf,
because if a girl is angry, or athletic, or perhaps just doesn't like
people, it must be because there's something deeply wrong with her.
Dr.
Hoffman (Helena Bonham Carter) is a career woman in the 1970s, very
educated, and pretty fun to watch for the first half of the movie.
And then she finds out that Barnabus is a vampire. First she freaks
out, like a normal person, but then he tells her she's pretty, so she
goes down on him (Whaaaaaaat?), and decides to steal his blood so
that she can be a vampire too. Because clearly what this movie needed
was another woman obsessed with Barnabus and immortality. Awesome.
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She's even wearing white, ffs. |
The
last woman (of consequence) in the film is Vicky Winters (Bella
Heathcote), the family governess, who is the spitting image of
Barnabus' dead girlfriend. Weird, that. Turns out she's seen the
ghost of his dead girlfriend all of her life, and even though she was
in an insane asylum, felt called to be here so that she could meet
Barnabus. I was inclined to like Vicky. She was a splash of normal in
the movie, and it made the rest of it funnier. Until.
Until I
realized that Vicky was being held up as the perfect woman. She's
chaste, demure, and out of her time. In these godless days, she's
still virginal, and Barnabus can't bring himself to touch her. So he
has sex with other women instead.
YAAAARRRGH!
Sorry,
rage yell.
But
yes, because he can't bear the idea of defiling Vicky, and without
talking about it to her, because that would be silly, Barnabus just
takes those silly sexual urges and uses them elsewhere. Best part?
Vicky doesn't seem to care. Nope, she's the perfect girl. Utterly and
completely willing to have whatever Barnabus will give her.
At the
end, when Angie has been defeated, the family saved, and Vicky is
walking towards a cliff...for some reason (shouldn't Angie's spells
have died with her?), Barnabus saves Vicky from falling off and tells
her he loves her. Then she jumps off the cliff anyway, so that he has
to bite her and turn her into a vampire too. Because it's the only
way to be together.
I
dislike this movie.
What I
dislike most, aside from the aforementioned horrible
characterizations of women, is
the way that Vicky, with her passivity, chastity, and suicidal
tendencies, is held up as the "good" woman, while the other
women, who, screwed up as they are, still at least do
things, are "bad". It's a very Victorian view of women, and
I don't like it.
But
that's Tim Burton's thing, isn't it? Victorian pastiche. It finally
occurred to me, watching this movie, that maybe he's trying to tell
us something. Because I can't for the life of me think of a Burton
heroine since Beetlejuice
who was headstrong, confident, competent, and good.
If she's got willpower, she's evil, he seems to be telling us.
And
I'm really not cool with that.
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Eva Green is fabulous, though. |
Wow, this sounds more dated than the show upon which it's based. FWIW, I loved the show as a kid--this looked like an abomination of it. Glad I didn't miss anything!
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